Noted jazz singer Cassandra Wilson, 70, died earlier this week:
Cassandra Marie Fowlkes was born on December 4, 1955, in Jackson, Mississippi. Music was already part of the family. Her father, Herman Fowlkes, was a jazz and blues guitarist and music teacher, while her mother, Mary McDaniel, loved Motown.
Wilson studied piano as a child, later learned guitar and clarinet, and absorbed music from many directions. Bob Dylan and Joni Mitchell could sit alongside jazz, blues and the sounds she heard growing up in Mississippi.
After moving toward the New York jazz scene in the early 1980s, she became associated with saxophonist Steve Coleman and was a founding member of the experimental M-Base Collective.
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Just three days after her feminist colleague Gloria Steinem had died, Robin Morgan, 85, passed away. She was one of the original second-wave feminists and perhaps best known for editing the classic anthology, Sisterhood is Powerful.
Morgan started out in show business as a child actress. Her best known role was playing Dagmar, the youngest daughter, in the live television series Mama, during the years 1950-1956. Morgan left the series before it ended.
Her son, Blake, said this:
"My mother Robin Morgan died peacefully in her sleep early this morning. Surely, she will be remembered for designing the iconic image of the women's movement (the fist in the circle of the women's symbol) and for her formative anthology, Sisterhood Is Powerful, for co-founding the Sisterhood is Global Institute with Simone de Beauvoir, for co-founding the Women's Media Center with Gloria Steinem and Jane Fonda, for a lifetime of fierce feminism and fierce friendship. But first and foremost, she was an artist. Her art fueled her politics, fueled her feminism, fueled the way she raised me. She taught me that how one does anything is how one does everything—that the personal is the political, and that as she once wrote, 'Hate generalizes, love specifies.' I'll have more to say and more songs to write about her, but for now, I'll express my love and gratitude that so many of you knew and loved her as both my mother, and as your friend."
Guardian:
Her legacy was one of deeds, words and images. Morgan is widely credited with coining the term “herstory”, the feminist reworking of “history”, and popularizing the clenched fist/female symbol icon of the liberation movement. Her poem Monster, with such lines as “I want a women’s revolution like a lover/I lust for it” was quoted at feminist rallies and beyond. Her poem Arraignment helped capture the movement’s embrace of the late Sylvia Plath and condemnation of her husband, poet Ted Hughes, whom Morgan and others blamed for Plath’s suicide in 1963. Morgan’s rhyming couplet “I accuse/Ted Hughes” inspired the title for Sonic Youth’s song J’Accuse Ted Hughes.
Labeled an “anarchist housewife” in one government report, Morgan confronted the establishment, left and right. In 1970, she and fellow protesters were arrested and jailed after occupying the offices of the avant garde Grove Press, whose owner, Barney Rosset, was fighting employees’ efforts to unionize. In the widely reprinted 1970 essay Goodbye to All That, she called out activists and libertines from Abbie Hoffman and Hugh Hefner to Dave Dellinger and the music group the Fugs.

